Lecturer: Art Entrepreneurship (nGAp)
Talent Genie
- Port Elizabeth, Eastern Cape
- Permanent
- Full-time
- To facilitate the learning processes and train students to engage in current critical discourses in the theory of Visual Arts with specific focus on visual and material culture locally and internationally.
- Perform assessments, curriculum development and administration at undergraduate and postgraduate level in the theory of Visual Arts.
- To contribute to the transformation of curricula in the theory and praxis of Visual Arts and Entrepreneurship as it pertains to the offerings of the Department of Visual Arts, at Nelson Mandela University relative to the National and International standard of practice.
- To contribute to and extend the academic research profile of the department in the department by way of conducting research and/or contributing to creative outputs
- To support postgraduate research in the Visual Arts programme·
- To develop and maintain national engagement practices and community-based liaisons.
- Knowledge of key theories of Visual Arts and Art History, particularly relevant to local contexts. Experience in and of local entrepreneurship material culture especially that of South African Ceramics.
- Knowledge in critical discourses, art theory and history concerning visual art practices in Visual Art and Design from a local and international perspective, with research specialization in one or more of the following interdisciplinary studies, fine arts, photography, design, fashion, curatorship and entrepreneurship.
- To demonstrate ability/potential of teaching and learning methodologies at undergraduate and postgraduate level.
- Demonstrable evidence of ongoing research, creative practice and national engagement.
- Demonstrate ability/potential to sourcing of content, formulating of lectures, assessment of essays and projects.
- Computer literacies commensurate with the requirements of all forms of lecture delivery, academic administration and student management.
- Established engagement practices and networks through liaisons with professional, peers and the creative arts industry.
- The ability to work both independently and as part of a team is vitally important.
- Ability to contribute to the curriculum transformation in the Theory of Visual Arts and Art History.
- A background or experience in curatorship will be an advantage.
- A record of community engagement will be an advantage
- A background in ceramic practice will be an advantage
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